"No, 'she' won't see them." Then Fleda said, "What I mean is, for this dear one of ours, that if she had (as I know she did; it's in the very taste of the air!) a great accepted pain—" Owen's legs, not to mention his voice, had wavered while he spoke, and she felt his possession of her hand loosen so that she was free again. Her stare of perception broke into a lively laugh. "Oh, you're all right, for you will get them. You will; you're quite safe; don't worry!" She fell back into the house with her hand on the door. "Good-bye, good-bye." She repeated it several times, laughing bravely, quite waving him away and, as he didn't move and save that he was on the other side of it, closing the door in his face quite as he had closed that of the drawing-room in hers. Never had a face, never at least had such a handsome one, been so presented to that offense. She even held the door a minute, lest he should try to come in again. At last, as she heard nothing, she made a dash for the stairs and ran up.!

Our young lady met this branch of the temptation it pleased her frankly to recognize by declaring that to encourage any such cruelty would be tortuous and base. She had nothing to do with his dislikes; she had only to do with his good-nature and his good name. She had joy of him just as he was, but it was of these things she had the greatest. The worst aversion and the liveliest reaction moreover wouldn't alter the fact—since one was facing facts—that but the other day his strong arms must have clasped a remarkably handsome girl as close as she had permitted. Fleda's emotion at this time was a wondrous mixture, in which Mona's permissions and Mona's beauty figured powerfully as aids to reflection. She herself had no beauty, and her permissions were the stony stares she had just practiced in the drawing-room—a consciousness of a kind appreciably to add to the particular sense of triumph that made her generous. I may not perhaps too much diminish the merit of that generosity if I mention that it could take the flight we are considering just because really, with the telescope of her long thought, Fleda saw what might bring her out of the wood. Mona herself would bring her out; at the least Mona possibly might. Deep down plunged the idea that even should she achieve what she had promised Owen, there was still the contingency of Mona's independent action. She might by that time, under stress of temper or of whatever it was that was now moving her, have said or done the things there is no patching up. If the rupture should come from Waterbath they might all be happy yet. This was a calculation that Fleda wouldn't have committed to paper, but it affected the total of her sentiments. She was meanwhile so remarkably constituted that while she refused to profit by Owen's mistake, even while she judged it and hastened to cover it up, she could drink a sweetness from it that consorted little with her wishing it mightn't have been made. There was no harm done, because he had instinctively known, poor dear, with whom to make it, and it was a compensation for seeing him worried that he hadn't made it with some horrid mean girl who would immediately have dished him by making a still bigger one. Their protected error (for she indulged a fancy that it was hers too) was like some dangerous, lovely living thing that she had caught and could keep—keep vivid and helpless in the cage of her own passion and look at and talk to all day long. She had got it well locked up there by the time that, from an upper window, she saw Mrs. Gereth again in the garden. At this she went down to meet her. "Because you were closeted with him here so long. You can't pretend at present, you know, not to have any art."

As the days passed, however, it became plainer to Fleda that her only chance of success would be in lending herself to this low appearance. Then, moreover, at last, her nerves settling the question, the choice was simply imposed by the violence done to her taste—to whatever was left of that high principle, at least, after the free and reckless meeting, for months, of great drafts and appeals. It was all very well to try to evade discussion: Owen Gereth was looking to her for a struggle, and it wasn't a bit of a struggle to be disgusted and dumb. She was on too strange a footing—that of having presented an ultimatum and having had it torn up in her face. In such a case as that the envoy always departed; he never sat gaping and dawdling before the city. Mrs. Gereth, every morning, looked publicly into "The Morning Post," the only newspaper she received; and every morning she treated the blankness of that journal as fresh evidence that everything was "off." What did the Post exist for but to tell you your children were wretchedly married?—so that if such a source of misery was dry, what could you do but infer that for once you had miraculously escaped? She almost taunted Fleda with supineness in not getting something out of somebody—in the same breath indeed in which she drenched her with a kind of appreciation more onerous to the girl than blame. Mrs. Gereth herself had of course washed her hands of the matter; but Fleda knew people who knew Mona and would be sure to be in her confidence—inconceivable people who admired her and had the privilege of Waterbath. What was the use therefore of being the most natural and the easiest of letter-writers, if no sort of side-light—in some pretext for correspondence—was, by a brilliant creature, to be got out of such barbarians? Fleda was not only a brilliant creature, but she heard herself commended in these days for new and strange attractions; she figured suddenly, in the queer conversations of Ricks, as a distinguished, almost as a dangerous beauty. That retouching of her hair and dress in which her friend had impulsively indulged on a first glimpse of her secret was by implication very frequently repeated. She had the sense not only of being advertised and offered, but of being counseled and enlightened in ways that she scarcely understood—arts obscure even to a poor girl who had had, in good society and motherless poverty, to look straight at realities and fill out blanks. Fleda paid this statement the homage of a minute's muteness. "As to that, naturally, she has reason." "Oh, I came back from Ricks last week. I shall be here now till I don't know when."